
Melting Radio
Over the past few months I’ve been working on a series of Melting objects. The project has a simple inspiration – my fear of things falling apart, and my somewhat curious desire to see things fall apart. I think that desire comes out of the same interest in films about conflict and death; one wants to look upon their fears from a safe distance. I can’t help but smile when I see these everyday things losing their shape, their surfaces dripping like candle wax, while they spread out into a homogenous puddle. Yet I know I’m scared of this happening to me and my world; there is the constant awareness in the back of my mind that everything is more fragile than I’d like it to be. Every day I work towards building a better and larger life, and there’s still just as much chance that it will fall apart. So I play with everyday things, always on a small scale, and always in my control.
After 14 months of quiet meditation, I’ve decided it’s time to restart my blog. Candidly, I was pursuing it too formally; it’s time to loosen up and let myself enjoy it a little more. Plus, I find myself with both the time to write and the wish to share my thoughts. In the coming days you’ll see a flurry of posts about recent events, art pieces in progress, and stuff I’m into (books, movies, etc.).
We also went to Vega Estates, named for the landlords of my friends Julie and Roxane, who host monthly exhibitions in their apartment’s basement and garage. This recent show is called Tomorrow. The show itself was fine, but sparsely attended in the pouring rain. It featured an architectural video by Marco Kane, composed mostly of still shots inside buildings, a few slow pans, overlaid with trance-like music. The video had an eerie, thoughtful quality that I liked, but as a whole it felt too much like other videos I’d seen before. I can’t tell you who exactly made these other two pieces (as I wasn’t planning to write a review), but I appreciated a pair of diamond shaped paintings – framed with what appeared to be old, very ornate recycled frames. The paintings themselves were half abstract, textured paintings – almost flesh-like, and half bare wood panel. The paintings seemed to be about these contrasts, and had a fetishistic quality to them. In addition there was a pair of photographs, or should I say one photograph duplicated? The image was of a small waterfall, hidden in some tropical forest; it was printed in black and white, duplicated as both the positive and negative version of itself. The point where the water hit the ground was almost figural, but what I liked about this piece was the analytical look at a scrap of paradise. It seemed to long for and question longing for the clandestine locale.